Material + Process
In addition to the variation from the designs, anything made by hand generates differences that make a piece unique. Natural materials also provide their own individuality as no two pieces of wood produce the same grain pattern and, when you cut through a rough sawn log and start to mill it to a polished surface, you witness the beauty of the unpredictable grain pattern begin to emerge.
The joinery connecting the components in these tables is a variation of a full bridle joint. All joints are cut by hand, the waste is chiselled out, and the parts are glued together.
All planes over 100mm are made from two pieces of Black Walnut joined by hand to create a seamless joint. This is to prevent the larger components from cupping, bowing, or twisting with moisture levels in the atmosphere and as seasons and environments change. It is also used to create a larger panel of walnut without using sapwood and/or having to use heartwood that runs too close to the pith (this is less-stable wood). Sapwood is the living part of a tree and is different in colour to the heartwood. Sapwood is very volatile and unpredictable and will distort over time.
Walnut became popular for high-end furniture in Britain in the late 17th Century until, in 1709, a harsh winter killed all the walnut trees (which cant survive below -25c). Due to it’s beauty and cost, Walnut is often associated with traditional furniture styles from this period and also with high-end mid-century modern furniture designs.
Concrete is a composite material of aggregate and cement. When used fir building it is normally a mixture of course aggregate (such as gravel), sand, and cement. Water is added to the mix and, when it evaporates, the mixture sets and becomes concrete. The earliest recordings of concrete in use for buildings dates back to 6500BC by the Bedouins in southern Syria and northern Jordan.